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Bonding With Herman Wallace Inside a Louisiana Dungeon

By Ashley Wennerstrom

I first wrote to Herman Wallace and Albert Woodfox after seeing In the Land of the Free last spring and learning of the horrendous injustices the Angola 3 have suffered.  I felt compelled to offer my support and admiration for their commitment to social justice.  Within just a few days, I received a response from Herman (Albert wrote me a beautiful letter the following week) and we began to exchange letters on a weekly basis.  After several months of sparring about political philosophy, discussing literature, and discovering unexpected similarities, I was delighted when Herman asked me to join him for a special visit.

Two days before our scheduled visit, I received a letter from Herman explaining that he had not yet been notified of whether our visit was approved.  I had to call the prison the morning I hoped to see him to learn that permission had indeed been granted. Upon my arrival at Elayn Hunt Correctional Center, staff informed me I was not on Mr. Wallace’s visiting list and would not be allowed to enter.  I persisted, and staff eventually located my name on their list of approved special visitors.  I was instructed to pass through a metal detector and was given a full body pat down before boarding the bus to the maximum security prison.   



I waited about 15 minutes in a Plexiglass and telephone lined corridor for Herman to appear.  When he finally arrived, clad in a denim shirt and jeans, his quizzical look instantly revealed he was shocked to
find me on the opposite side of the visiting booth.  Lifting the receiver with one shackled hand, he explained that in spite of his inquiries, the prison authorities never revealed whether approval for
my visit had been granted.  He was in his cell writing a letter of complaint about this lack of information when a guard informed him a visitor had arrived.

Our two hours together passed quickly, with much laughter.  Herman appeared well physically and joked that “such a physique for a man of my age” was attributable to regular running on the yard (albeit in an
enclosed cage). Herman spoke slowly and deliberately.  His conversation drifted between topics, but he always returned to his original point. Although he claimed to be “a little bit senile,” his memory and
knowledge of outside world was remarkable. He knew better than I the geography of the New Orleans neighborhood where he grew up and, coincidentally, I now live.  He was well-versed in current politics.  He referenced social media and specific websites.  Only a few remarks—namely his confusion of my large, flower-shaped earrings for  Stars of David—reminded me that I was speaking with a man who had been without exposure to the outside world longer than I had been alive.  Herman was concerned for my safety—had I driven far in the rain?—and asked after my family.   His smile waivered only when he mentioned the difficulty of not being able to attend funerals for the numerous family and friends he’s lost throughout his 44 years of incarceration.  He quickly changed the subject when he saw my eyes well with empathetic tears.  At the end of our visit, I told Herman that I would be honored to see him again.  

One month later, Parnell Herbert and I found Herman distraught when we arrived for a visit.  Prison authorities had just searched his cell to ensure that his property was “in compliance” with regulations.  The thinly-veiled disciplinary action resulted in the seizure of many of his treasured photos, letters, and books.  Herman realized that he had one piece of good news to share with us—his recent efforts to improve conditions had been successful.  He and the other men in closed cell restriction had just been granted permission to spend an hour on the yard each day, rather than just four times each week.   Herman was back to being his usual boisterous self by then end of our 4-hour contact visit, in which the three of us were allowed to hug one another, sit in the same room together, and share a meal (if hotdogs and sodas can be considered to constitute a meal).

I spent time with Herman each of the last two weekends.  He remained shackled throughout both 2-hour non-contact visits.  At one point a guard checked to ensure that he had sufficient slack in the restraints to be able to hold the phone comfortably, but the handcuffs were kept tight enough to leave imprints on his wrists.  Herman was un-phased and jokingly bragged about his extraordinary collection of “jewelry.”  Our discussions drifted between the details of his case, personal stories about our lives and loved ones, politics, our unlikely friendship, the constant harassment he endures on a daily basis, and our mutual desire to improve the lives of others.  Just before our visit came to a close last Saturday, Herman asked, “What inspires you?”  The answer to the question—a human who has remained principled, positive and purpose-driven in spite of living a nightmare—was quite literally staring me in the face.

The November Man (2014)
Director: Roger Donaldson
Adapted from: There are no spies
Story by: Bill Granger
Screenplay: Michael Finch, Karl Gajdusek
Initial release: August 27, 2014 (USA)

The November Man is a spy thriller film based on the novel There are No Spies by Bill Granger, which is canonically the seventh installment in "The November Man" series of books, published in 1987. It stars Pierce Brosnan, Luke Bracey, and Olga Kurylenko with the screenplay written by Michael Finch and Karl Gajdusek. The film is directed by Roger Donaldson, known for his most notable works Species, The Recruit and the Bank Job. He previously worked with Brosnan in Dantes Peak. Beau St. Clair once again teams up with Brosnan to co-produce the film. Code named The November Man, Peter Devereaux (Pierce Brosnan) is a lethal and highly trained ex-CIA agent, who has been enjoying a quiet life in Switzerland. When Devereaux is lured out of retirement for one last mission, he must protect valuable witness, Alice Fournier, (Olga Kurylenko). He soon uncovers this assignment marks him a target of his former friend and CIA protégé David Mason (Luke Bracey). With growing suspicions of a mole in the agency, there is no one Devereaux can trust, no rules and no holds barred. [1]Code named The November Man, Peter Devereaux is a lethal and highly trained ex-CIA agent, who has been enjoying a quiet life in Switzerland. When Devereaux is lured out of retirement for one last mission, he must protect valuable witness, Alice Fournier. He soon uncovers this assignment marks him.




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